Showing posts with label Lighthouse. Show all posts
Showing posts with label Lighthouse. Show all posts

Sunday, November 10, 2013

Autumn Revisited


The Color is Gone, But not Forgotten
Mine Ledge, Hinsdale, NH






Hemlock Gateway, Colors at Home




There are still patches of brown foliage on the oaks and the persistent yellow of the beach groves, but my New England autumn is winding down to the last gasps.  As always, I'm exhausted and ready for long quiet hours with a cup of coffee at my desk working through the hundreds of late September and October images.  I say it every year, but it is worth repeating, thank god for the dull colors of November!




Otter Brook, Roxbury, NH
As I work my way through the autumn splendor, this seems like a good time to review the season and share some of this year's
bounty.   I'll let Jeff Foliage provide the final official verdict, but overall I think it was a good fall, not the best for weather or color but probably a bit better than average. The color seemed to come early, but I suspect this is a general manifestation of the warming climate.  We had one major wind and rain storm in early October which striped some of the brightest color.  The weather was often overcast, but that is not a tragedy for the capture of the rich colors of the season and the rain managed to keep the streams flowing.  As always, the season was expanded by small patches of early color in the damp areas and by the surprising color in the occasional late bloomers.  



Vermont's Route 100
Top of the Valley, Hnacock Vt
Most years I try to get a head start on the color by heading north.  This year I traveled up Route 100 along the central spine of Vermont.  My eventual goal was the dramatic Moss Glen Falls in Granville, Vermont.  The falls were great especially during the brief periods when the bright sun slipped behind the clouds.  There
Moss Glen Swirl, Granville, Vt
was
quite a crowd at this road-side attraction, but I was still able to catch some nice fresh angles on this old favorite.  The trip was about 100 miles each way and it gave me the opportunity to judge the progress of the fall change and get an early sense of the quality of the color.  On that day, in late September, the foliage seemed to blossom around the Killington area.







 
Autumn Boil, Chester, VT



 
Camden Harbor Sunrise
A Maine Coast Escape
Just as the colors were building at home Susan and I headed over to the Camden area to spend a few days on the Maine Coast. It was a lovely escape.  The colors were a bit early along the shore, but I did get some nice shots of the morning light on Camden and Lincolnville Harbors and a lovely sunset at the always dramatic Marshal Point Light.  I was nervous about missing some of the best color at home, but it was while we were away that the intense wind and rain storm hit the Monadnock region.  







 
Marshall Point Light, Port Clyde, Maine
  



 
Hancock, NH
The damage was not as bad as I had feared but the storm did seem to accelerate the season.  Of course through all of this I spent every available moment looking for color throughout the region.  I roamed the back roads of both the Monadnock Region and southern Vermont, simultaneously scanning for grand landscapes and intimate color details.  It was enough to make me dizzy, but there was always the feeling that any time spent away would mean risking the one spectacular image of the year.  I was convinced that the best weather was confined to the days that I was stuck in the office.  In other words, I was fully captured by Autumn Fever. 

 



Follow the Color
As usual, this year I tried to extend the season by following the
Pumpkin Festival Race, Keene, NH
color from north to south.   It started with a drive up Route 100 to Moss Glenn Falls, and our sea coast interlude.  In the middle of the season, I explored more locally including lovely farm land in Chesterfield, Walpole, Hancock and southeastern Vermont.  We had great weather for the Keene Pumpkin Festival and when I wasn’t lighting candles I got nice light both early in the morning and at night in the midst of the celebration of Keene’s new World Record for lit Pumpkins (30,581).  As the colors began to fade locally I went south to shoot at Doane’s Falls in Royalston Massachusetts.
 
Doanes Falls, Royalston, Ma.



Embrace the Clouds
Field of Asters, Walpole, NH
Limit the Sky
Throughout the season we had a mix of sunny and overcast / misty weather.  In general, I prefer the softer light which allows the
autumn colors to shine through the glare.  The keys to shooting in overcast conditions are to concentrate on more intimate colorful scenes rather than grand hillside panoramas, and to limit or eliminate the dull gray skis.  Problems with flat uninteresting skies have been improved with the capability of powerful editing software, such as Photoshop and Lightroom 5 to salvage detail in the
Color and Sky, Walpole, NH
Embrace the Sky
highlights.  Although zooming in on the color is still a good solution, I find recently that I have been including more brooding gray skies in my images. A polarizing filter is a must on bright days, but it can also add depth to the color when the light is diffused.  The effect is often subtle but noticeable especially if the leaves are damp and reflective.  The combination of soft light and a polarizer is also the best combination for capturing lacy waterfalls against the autumn glow.




Tame the Brilliance
Hunts Pond, Hancock, NH
We had a few classic brilliantly sunny days this year.  These are the days that most often come to mind when we think of the “glorious colors” of fall, but they do offer special challenges for photography.  The high contrast and reflections tend to mute the colors, but here again a polarizing filter can make a
Reflected Sunset, Chesterfield, NH
significant difference.  Sunny days are best for broader autumn landscapes, but on these days I most often think about looking into the sun.  The trans-illuminating light works to ignite the foliage.  The effect is especially striking when the electric yellows and reds are contrasted against a deep blue sky. Of course we need sunlight to capture beautiful sunrises and sunsets, but the the most dramatic results come from a mixture of light and clouds. The warm light of the golden hours can only be fully appreciated by capturing what it illuminates, and, when there are no clouds, 
we often need to step back and celebrate the glow on the foreground elements.



Trans-illumination, College Bridge, Henniker, NH
 
Well I have to get back to work.  I love settling back and scanning my images from the season.  Each time I find new perspectives and I can't wait to discover the beauty which is held within those little piles of pixels.  Stay tuned.

Bald Mountain, Camden Maine

Monday, July 30, 2012

Whaleback Light


 Searching for an Eddington Moment



Einstein and Eddington

On May 29, 1919, Arthur Eddington was watching a rainy, cloud filled sky on the remote island of Principe off the west coast of Africa.  He had come from England to observe the solar eclipse
Arthur Eddington
hoping to confirm or refute Albert Einstein's controversial theory of relativity. It was no small matter that, just after the carnage of the First World War, it was an Englishman who had set out to test a German theoretical physicist's theory, which, if confirmed, would overthrow the god of English science Sir Isaac Newton.  Einstein's theory predicted that light passing by a massive object like the sun, would be noticeably deflected, but the only time to measure such an effect would be when the sun's brilliance was blocked by a solar eclipse. Eddington had planned carefully for the experiment and had traveled more than 3500 miles to be in the right spot at the right time. Despite all the preparation, the observation almost never happened, as the obscuring clouds parted only briefly during the period of totality. The result was that Einstein was confirmed and most of the rest of the world was left hopelessly confused and nostalgic for the simple days of Sir Isaac. Eddington had the luck that all photographers lust for, but even such a profoundly religious man was enough of a scientist not to depend entirely on providence. He sent a second expedition to Brazil as a hedge against bad weather.

This is all a round-about way to bemoan the fact that I had no hedge against bad weather this weekend and despite all my careful planning the sky did not open at just the right moment as I tried to catch Whaleback Light against the rising sun. Since I live about 90 miles from Atlantic coast in the beautiful southwest corner of New Hampshire, I treasure every opportunity to make it to the ocean. I don't have the luxury of returning time and again until the conditions are right. I have to make the best of what nature gives me, truthfully that is a major part of the fun. 



The Rye Weekend
Every summer our good friends Tom and Paula become even better

Whaleback Lighthouse, Portsmouth Harbor
friends when they rent a cottage on the New Hampshire coast at Rye Beach. It is a great excuse to spend a weekend by the water, to eat and drink, and to sit watching the various sizes and shapes of humanity strolling along the beach. Of course I also have to photograph and this year I had a plan. Whaleback Lighthouse at the entrance to Portsmouth Harbor is a classic and I wanted to try to capture the sun rising behind the tower.  Before leaving for Rye, I went to my favorite program, The Photographer's Ephemeris, and discovered that the sun could be seen rising behind the lighthouse, at 5:30 Sunday morning , from a spot on the beach at Odiorne Point State Park in Rye. I was able to find the exact location on the beach and determined
that Whaleback had to be at 63 degrees from my vantage point to be perfectly aligned. Knowing that I would be crossing the park in the dark, Tom and I scouted the location Saturday afternoon. The park is a lovely wooded oasis away from the bustle of the beaches and is crisscrossed with a web of secluded trails. Once on the beach, I was able to find the spot which placed the lighthouse at 63 degrees. Since I would be returning in the dark the next morning I built a small stone cairn to mark the location. Like Eddington, after the preparations, I could do nothing but wait for the weather.  Unlike Eddington, I could return to the cottage on the beach for a wonderful dinner and too much wine.

Tom Scouting the site
Carin Building
Photo by Tom Dustin





 













 


 You Have Fewer Friends at 4:30 in the Morning
Odiorne Point State Park, Rye NH
Less spooky in daylight
When I arrived at the park the next morning there were just a few small , hopeful, breaks in the clouds. I worked my way along the dark trails, guided by the narrow column of my headlamp. It was a bit spooky, but I figured that it was unlikely that potential muggers would decide to seek their prey from the Poison Ivy along a lonely wooded trail at 4:30 in the morning.  By the time I reached my spot on the beach the sky was completely overcast. I setup my tripod and, accompanied only by the mosquitoes, settled in to await the miracle. Sadly there was no Eddington moment.  5:30 came and went without a trace of morning gold. Once it was clear I was not going to get the perfect sunrise, I settled in to work the site for whatever I could get. 





Making Do
The cool blue light had its own attraction and the rocky shore

Odiorne Point Shore
provided some nice framing opportunities on the lighthouse, but the low light imposed its own challenges. For the lobster boat image, I framed the lighthouse through the rocks, locked down my tripod, and then took several exposures focusing on each of the foreground, middle rocks and the lighthouse (focus stacking). It was helpful to use Live View to nail the focus in the dim light and the long exposures created a nice soft appearance to the rolling waves. Then, keeping the camera in position, I waited for a boat to come by and added the final piece of puzzle. I had to boost the ISO up to 3200 for this image to freeze the moving boat, but in the end the composite brought it all together for the best representation of the lovely scene.

I spent two hours on that peaceful beach and, although I was disappointed about the lack of a spectacular sunrise, the quiet solitude was well worth the trip. I knew that, behind those clouds, the sun was rising and that it would be there for me on another day. Despite the best planning nature doesn't always cooperate, but photography would loose its excitement and challenge if every shoot was an Eddington moment. 




Angry sky over Rye Beach New Hampshire
A nice oppoertunity for a little HDR

Jeffrey Newcomer
partridgebrookreflections.com