Showing posts with label Milky Way. Show all posts
Showing posts with label Milky Way. Show all posts

Sunday, March 2, 2014

Seeing the Unseen


This week I would like to celebrate the amazing capability of modern photography to help us to see the unseen.  My goal is only to touch on what is possible and to provide links to more detailed explorations.

From its invention, photography has been a medium that was prized for its ability to capture what we see in flawless detail, freezing more of "reality" than could ever be absorbed by our limited visual perceptions.  Without special forethought, my photography has tended toward images that celebrate the beautiful detail of the natural world.  I have tried to use the remarkable powers of digital photography and editing to place viewers in locations as I have seen them, working to display the mood as well as the reality of the remarkable world around us.  But photography has always provided a means to see things beyond our normal perceptual capacity, that are not accessible to the naked eye (THERE, I got the word "naked" into the article - TWICE!  Watch my hits soar!). 


Anyway, In the beginning photography captured "Reality" in its own way based on its technical limitations.  It has always had the
remarkable ability to freeze time, not only for moments but for centuries.  As initially a black and white medium, photography washed the color from the world and forced a new focus on light and pattern that had always been hidden under a gaudy chromatic layer in our perception.  Photography has expanded and altered our vision in many other ways and, digital photography, although not required for many of these advances, has made them more easily accessible and pushed opened the door to these unseen new worlds.  I have discussed many of these techniques in much greater detail in previous articles, but here is a brief list of some of the ways that photography can open our eyes to a new worlds.  Let the journey begin.  




Infrared
Infrared photography is perhaps the best example of seeing the
unseen.  Infrared is the portion of the electromagnetic spectrum beyond deep red.  Although these longer wave lengths are beyond the ability of our eyes to detect, infrared photographs have been captured since the early 1900's.  Today a digital camera can be modified to respond to the infrared making it much easier to capture this invisible world.  The infrared spectrum shows foliage in brilliant light, making summer scenes appear like winter landscapes.  It cuts through haze and reveals puffy clouds in stark contrast against inky black skies.  With infrared photography it is often possible to capture powerful images on days when the light is too flat and dull for strong conventional images.  I found it well worth the expense to modify my old Canon 20D doorstop to become my IR camera.
For More Information:
 Infrared, Seeing Photography in a Different Light


HDR

High dynamic range photography can be used to overcome the 
Improving Dynamic Range
limitations of film and digital sensors in recording the full range of light and dark apparent to our eyes.  In this sense it actually improves the ability to capture what we can already perceive, but HDR and its evil twin, tone mapping, has the seemingly unbounded artistic capability to mutate reality, 
turning a mirror on the artists mood and
fancy rather than the reality of the moment.  I love HDR because it provides such an unlimited opportunity for self-expression.  I generally use these tools to render images that better reflect the dynamic range that was apparent in the field, but occasionally it is fun to go crazy, jump through the looking glass,  and produce something that truly would never be apparent to the eye.



Going Crazy

For More Information:
HDR: Bon Appetitt
Taming the HDR Beast



Stop Motion:

Stopping motion requires fast shutter speeds that the high ISO
capability of new digital cameras has made more practical.  I remember, from the ancient past, when loading the camera with  ASA 400 film was a considered reckless, trading speed for the assumed damage to image quality.  Based on the lighting, I can now easily dial up the ISO to whatever is required, to allow a shutter speed fast enough to freeze the action or capture images in inky darkness..  The combination of the improved low light sensitivity of new digital sensors and the capability of software noise reduction algorithms has made it possible to maintain acceptable image quality at ridiculously high ISO levels.
For More Information:

 Accidental Bird Photography
Great Blue Heron on Harvey Pond


Long Exposure;

Long exposures have always been a capability of photography.  In 
Crowded Portland Street
fact in the early days it was a requirement. Daguerreotype portraits required an exposure of 2 or more seconds. Today long exposures can accomplish a long list of magical effects.  An exposure of a even a second or less can transform a roaring chaotic stream into a soft dream-like confection, looking nothing like the original scene, but providing a sense of frozen movement.  Long exposures of a busy street can remove all the distractions of moving cars and annoying people,  magically focusing on the stationary scene.  Star tract images of the night sky transforms individual stars from points of light into majestic arcs rotating around the north star. All of these technique are made much simpler by the ability, in the digital camera, to immediately review the results and adjust exposures accordingly

For More Information:
Photographing the Magic of Velvet Water
Long Exposure Crowd Control
Star Track Photography


Deep Space:

While we are talking about night sky images, I think one of the
most impressive ways that digital cameras have altered our sense of nighttime wonder has come from the ability that long exposures and high ISO have to extend our vision into deep space. ISOs ranging from 1600 to 6400 and exposures of 20-30 seconds brings a dense sea of stars into view that are invisible to our eyes even on the darkest night.  Beyond doubt,  the celebrity of this celestial show is our own galaxy, the Milky Way.  The most impressive images usually show the Milky Way's brilliant band in some appropriately interesting setting, and there are now many programs and Apps that can tell us precisely when, and where to stand to place a lighthouse, a tree or a silo in front of the show.  I live in the country and I often get a clear view of the sky, but even here the digital camera easily converts a subtle smug into a breathtaking view of our galactic disc.
For More Information
Night Time Photography, Searching for the Milky Way
Photographing Comet PanSTARRS


Time Lapse
Time lapse photography compresses time allowing us to see in a few seconds what occurred over hours.  All that is necessary is a sturdy tripod, an intervalometer to time the exposures and software to assemble the hundreds of images into a video.  For quick and simple time lapse videos I have used Quick Time, but many other options exist. I'm still a novice, but I have enjoyed creating videos of the setting sun, billowing clouds,  or stars moving majestically across the sky.  I even have one of Susan and I decorating the Christmas tree. 


Monadnock Sunset



 

Tree Trimming


For More Information
Time Lapse Time


Focus Stacking
It may seem that the use of focus stacking to achieve a deep depth of field only replicates what our eyes can capture, but in fact eyes
have the same focusing  limitations as any lens and iris system.  The only reason that we feel we can see everything from near to far in sharp focus is that our eyes are constantly and subconsciously adjusting focus as we move our attention around the scene.  A photograph with sharp focus throughout is actually a representation of the world beyond the capability of our vision, but it does match the dynamic nature of our perception.
For More Information:
Focus I
Focus II
Hand-Held Focus Stacking



Of course there are more ways that digital photography allows us to see the unseen. Editing software can alter our vision and a world without a tangle of wires in front of every beautiful scene is a priceless gift of Photoshop. It has been thrilling to explore some of the photographic options available, but It is also humbling to realize all that I need to learn.  But then again the endless opportunities to learn are what make photography endlessly exciting.

Jeffrey Newcomer
Partridgebrookreflections.com

Sunday, December 29, 2013

The "Best" of 2013


 Best Images Stories of 2013

This is the time of year when we see many photographers showing
Graze the Fence, Alstead, NH
what they feel are their best images of the year. I decided to do the same, picking favorite images is like picking favorite children.  I found myself regretting the pictures I had to leave out more than celebrating the few selected.  I ended up with   over 100 "favorites", but chopping this down to 10 was agony.  Then it occurred to me that what was really worthy of celebration was not the images, but the experiences, the locations, the people and the ideas that I have been privileged to explore over the past 12 months.  Pretty pictures are great, but they are really just the frosting on the cake.  What attracts me to photography is the treasure hunt as I learn more about the unique beauty of our region and the hunt doesn't end when I get home. In the digital darkroom I continue to search for the best ways to uncover the full potential of my images.  My goal is always to place the viewers feet in my place, to have them feel that they have stepped into the scene.  That they can see what I saw and feel what I felt.

Why I Blog


One of the major advantages of doing a weekly blog is that it forces
Farrier's Touch
me to define a mini self-assignment every week. I must assemble images and information to highlight the beauty of a  special location or theme, or to illustrate a technical point about photographic technique or post processing.  Often my photography and study is dominated by the needs of the upcoming blog, but it is a great way to keep my photography moving forward. I usually learn much more than I teach. 

So this week, instead of sharing what I think are my best images, I want to recall some of the experiences of 2013. The images may not be considered my best, but they will hopefully recall some of the best stories of this busy year. 

If you are desperate for the pretty pictures, check out my slide show at the end of the article.   Pick whichever 10 you like.

Back Roads and Unexpected Treasures
 Many of my blogs focus on the attractions of a specific New England location, some of which are familiar to me and others that I must discover along with my readers.  Here are just a few of my favorite shoots of the past year.



Meandering Vermont's Back Roads
Mill Brook, Townsend, Vermont
One of my favorite activities is to get lost on the back roads of my region.  After years of exploration it still surprises me how easy it is to finds paths I have never explored.  I started 2013 with a meander on the back roads of southeastern Vermont. As always I found new photographic opportunities and many spots to ad to my "must return" list.
Vermont Meander




 




Treasures of Dummerston Vermont 
My blog article on the attractions of Dummerston, Vermont was
Dummerston Sunset
another good example of the value of self-assignment.  My home is  just across the Connecticut River, and I had many great images of this classic New England town, but the "assignment" was the stimulus to explore new areas and angles.  I think I saw just about everything in the village, except Tom Bodette, "leaving the light on". Yes there is a Motel 6 in Brattleboro.
 Dummerston, Vermont
 




Blow Me Down Mill, Cornish
 
Not all assignments are self generated.  Last spring I got a call from
Aspet House, St Gaudens Historic Site
Cam Mirisola, Senior Editor for New Hampshire To-Do Magazine looking for images for an up-coming article about Cornish, New Hampshire.  I already had plenty of pictures of the Cornish-Westminster Covered Bridge and St. Gauden's Historic Site, but the third site that she mentioned was entirely new to me.  Built in 1891, the Blow Me Down Mill was associated with the famous Cornish Art Colony.  I had a great time exploring the Mill From all angles.  The light was harsh and the trees bare, but I got some reasonable shots and last spring, I was reward with my images in NH To Do Magazine, including a two page spread.
 Blow Me Down Mill, Cornish, NH




Tale of Two Trees
 
I am Primarily a landscape photographer so, by definition, I love trees. This year I had the opportunity to celebrate two special trees
Only a Memory
one which is a grand champion and the other whose grandeur is only a memory.  This summer the great Red Oak in Chesterfield's Friedsam Town Forest was identified as the largest in the county.  The tree is in good shape, but, sadly, the once majestic White Oak on the hill-top of Alyson's Orchard in Walpole had to be cut to the ground this year after being irretrievably damaged by a lightning strike.  The two events gave me the opportunity to appreciate both the strength and vulnerability of these magnificent living things that do so much to enrich our experience on earth.

Tale of Two Trees



 
Green River
Green River, Vermont
Green River is a small village in the Vermont town of Guilford. 
The village is quintessential New England with a classic covered bridge, a lovely timber frame dam and water fall, a typically austere white New England church, a welcoming country Inn and of course the mandatory red barn.  For me, the place has been a favorite photography spot for years. No matter how many times I return, I always find new inspiration.   This year I finally, and reluctantly, shared the secret of this hidden treasure. 
Green River, Vermont



 




Seeing in the Dark
This was a year for exploring the night sky as everyone seemed to discover the capability of fast digital sensors to probe deep into space and time.


Comet PanSTARRS


Comet PanSTARRS
2013 brought the promise of two, potentially spectacular Comets.  As it turned out Comet ION was a disappointment, but earlier in the year I was able to chase down Comet PanSTARRS.  The comet was barely visible to the eye, but, though the power of my digital camera's high IOS capability, I was able to capture it on a couple of evenings.  I even was able to sucker my friend Bob to join me for a cold evening to see the comet from the hill at Apryl's Orchard in Walpole, New Hampshire.
Comet PanSTARRS


 



In Search of the Milky Way
In any photographic exploration of the night sky, the most
prominent feature by far is the Milky Way.  We have become aware of capability of high ISO sensors to show the band of light from our galaxy at an intensity far beyond the ability of our eyes to perceive,  even on the clearest night.  The digital camera has become a time machine capable of looking back in time tens of thousands of years.  This year I learned more about the techniques needed to capture the night sky, how to predict the location of the Milky Way and  how to plan my shoots to place the Galactic band behind interesting foregrounds.  The Milky Way is the obvious center of
Old Faithful & Andromeda
attention in many night sky images, but one of my favorite attractions is the Andromeda Galaxy.  Our closest neighboring large galaxy is 2.5 Million lights years away and to the unaided eye is a barely perceptible smudge in the sky, float below the constellation Cassiopeia. It is much better seen through the digital camera. I first discovered the galaxy by accident about a year and one-half ago while taking night photos of the eruption of Old Faithful in Yellowstone, but  now I'm always looking for this distant neighbor.  It is remarkable to look at light which has been traveling since the human species was in its early development.
The Glory of the Milky Way





Back to the Sea and That Means Lighthouses



Whaleback Dawn
I grew up on the New England coast and I try to get back as often as I can.  This year I was fortunate to have a few fruitful trips.  After failing last year, this year's annual summer visit to Rye Beach, NH was rewarded with a spectacular sunrise over  Whaleback
Lighthouse and a dramatic full double rainbow floating over the ocean.  In the autumn, Susan and had great time exploring around Camden, Maine.  The weather started rainy, but I was able to capture early morning light on Camden Harbor and a classic sunset at Marshall Point light.  Finally I got to Nubble Light when I was able to sneak away from an admittedly lovely wedding of the daughter of one of our good friends.

Rye Beach and Whaleback Lighthouse

Camden and the Middle Maine Coast
Atlantic Rainbow, Rye Beach, NH


Special Projects
In 2013 I had the opportunity to shift from my usual photography and explore new modes of expression.

Monadnock Documentary
In 2013 I continued to enjoy being a small contributor to Rabbit Ear Films as we work to produce a feature length documentary
about our region's iconic feature, Mount Monadnock.  Most of the filming has been completed and the difficult editing phase is underway.  Our goal is to complete the film next year.  For me it has been a unique learning experience as I have come to understand the differences between what works for video as opposed to stationary landscape photography.  As a member of the Rabbit Ear Board of Directors I am experiencing the many complexities of assembling a top quality film, from the fund raising, to coordination of script, video, music and narration, and planning for promotion and distribution.  It is fascinating, but at times it reminds me of how easy it is to go out and photograph a tree. 
Monadnock Documentary Film (Check out our Trailer)



Chesterfield Conservation Commission Web Site
This year, I finally renovated our Chesterfield Conservation 
Commission web site.  The previous site dated back to a time when I was still coding by hand in HTML.  Needless to say, it was getting very clunky.  The overhaul was simplified by the fact that I used Zenfolio, the portfolio system that I had just used to redo my own photography web site.  The Commission site is loaded with great information, including descriptions and maps of public lands, information on events and general conservation resources.  The system makes updates simple and intuitive and most importantly changes can be easily made by any member of the commission.
Chesterfield Conservation Commission Web Site


Sound
At the end of last year I upgraded my portfolio site using Zenfolio.

Recorder & Dead Cat
Part of the program is the capability to create beautiful slide shows. At first I tried adding music to the shows, but then I decided to use the sounds of nature.  I started roaming the back roads with my Zoom H4n field record looking for the sounds of birds and crickets without the background drone of civilization.  I learn how hard it was to find real quiet, how to edit audio and what exactly is a dead cat.  it was worth the effort to add the music of a New England field, the washing of waves on the Atlantic shore or the drama of a summer thunderstorm to my images.
Sounds of Nature




And Finally Christmas Lighting
My last self-assignment this year was capturing Christmas

Central Square, Keene, NH
Lighting.  My approach to this project was similar to that for  many of my blog articles.  I started by searching my photo archives for pictures of holiday lighting.  I uncovered some general themes but most importantly I discovered that I haven't shot a lot of Christmas lights. I went to work, studying the work of talented photographers, assessing where my own work had fallen short and then getting out to shoot with a fresh eye.  The goal was not just to find pretty pictures, but also to illustrate the important rules that I had learned for beautiful and memorable Christmas lights photography. 
 Christmas Lights

 


This process of reflection and study is a perfect example of how much I learn every week through the effort to assemble information that I hope will be of interest to my fellow photographers. No matter how much I think I know about a topic there is always more to discover.  I love sharing my fascination for photography with others, but it is the self discovery that keeps me coming back every week.  So I look forward to another year of explorations into the endless potential for artistry within the Digital Camera.  Thank you for coming along and sharing with others.



 Check out some of my favorite images from 2013, and Nature's sweat accompaniment.

Sunday, August 18, 2013

New England Farm Photography





 Pixels at the Sharon Arts Center "Paintout"

This week you must pardon any spelling or grammatical errors as I am just recovering from the 8th Annual Sharon Arts Center Paintout. Every year the arts center sponsors a week-long event during which artists are invited to practice their art with a specific theme. This year the theme was "Farms". The center identified ten farms in our region who were willing to permit painters to wander
Pasture Shade, Sawyer Farm
their property in search of the perfect scene. The event ran from Monday through Friday with a reception and show for the work on Friday evening. Some years ago I convinced the folks at Sharon Arts that the Paintout should encompass pixels as well as paint and since then I have shown up as the poor relation at the receptions. Painters generally only tolerate photographers, but I have enjoyed the opportunity to discover some new locations, often getting into areas that I would otherwise be unable to explore. 

The paintout week is always exhausting. The challenge is to find time to get out shooting. As usual, I was completely at the mercy of the weather, but in this case, if the light was bad, I generally did not have another chance. This last week I was working on Monday, Wednesday, and Thursday. My only full day available for shooting was Tuesday and on Tuesday it rained in torrents almost the entire day. Rain isn’t always bad but it does limit photographic opportunities. As usual I tried to make the most of the time and light that I could capture. When I could find time, I shot until the last light and beyond and then spent the evenings processing the images. I spent all of Friday printing, matting and framing my favorite images. I can't really complain. I love challenges like this and, as always, it was a great opportunity to discover number of new locations and to make some new contacts. 



Let’s face it; the concept of photographing farms is not exactly new to me, so I decided to apply my own theme to this effort. My plan was to try to apply as many different styles and techniques of photography as I could, given the constraints of time and the subjects available.

Shooting Straight
With so much amazing and varied farm land I didn't have to go crazy with technique to capture classically beautiful images. The pastures, farm buildings, animals and, of course Mount Monadnock
frequently looming in the background all made for great opportunities. All I needed was the light and some gentle massaging in Photoshop to bring out the best in the scenes. The twilight picture of silos with Monadnock in the background, was taken from across the pasture with a long lens to compress the scene. Using masking, I was able to adjust the bright sky to retain detail in the foreground. In a number of images Iused blended tone mapping, a new favorite technique, to add a subtle increase in definition. For me


Blended Tone mapped Layer
these techniques are standard approaches which allow me to present the scenes as I saw it. Nothing special, but my goal for this week was to use different techniques and like the proverbial man with a hammer, everything quickly began looking like nails and I couldn't hold back.

 














HDR / Tone Mapping
Without a doubt, my favorite farm on the Arts Center list was the 
Sawyer Farm in Jaffrey. The place is a classic with an old farm house and a cluster of three majestic silos all surrounded by acres of beautiful rolling pastures. It also helped that the owners are incredibly friendly. On Monday I got out of work a bit early and headed straight to Sawyer. The light was still bright, so I decided to explore the barns. The inside of the cow barn was dark with brilliant light coming through the windows. A great situation for HDR. I grabbed seven bracketed images and later went to Photomatix. Since my goal was to break away from my usual approaches I decided to go full grunge and ended up with a slightly cartoonish rendition that I


Gentler HDR, Sun/Moon Farm
loved but which was far outside my usual style. As I have said many times, HDR and Tone Mapping are all a matter of taste. It was tasty to try a different cuisine and, after all, the last time I went crazy with HDR I ended up selling the image for the logo of a national brand of doggie treats. Later when I was shooting at the Sun/Moon Farm in Rindge. I came back to earth. I used HDR to produce a more natural appearing image combining the bright pasture with the shadows of the barn interior. 












Black & White

Black and white layers can effectively isolate and highlight an area of color within an image. The barn at the Sun/Moon Farm was
Black & White Layer
filled with bunches off drying garlic. The challenge was to draw the eye to a small grouping of bulbs without loosing the sense of rows of stalks filling the barn. In addition to selective focus, I also blended a black and white layer to de-emphasize the background elements. One of my favorite images from the week was farrier George Iselin's remarkable hands as he shoed one of his Mary's horses. George was remarkably patient as I crawled on the ground to shoot under the horse. I loved the color image, but thought the power of his hands might come through stronger in black and white. With black and white, I was able to enhance the exposure and contrast without concern about the impact on the color rendition. Both approaches have their attractions, but I think I prefer the B&W. 




Farrier's Touch





























Macro
Farms are filled with opportunities for macro photography. In particular the flowers at Rosaly's Garden were great subjects. I went to Rosaly's on Tuesday knowing
that the soft overcast light would work well. There was enough light to ignite the colors of a glowing sunflower. I also employed focus stacking to get better depth on a pink flower. The only challenge was keeping the equipment dry in the steady rain.

 




 






Four Image Focus Stack






 In the Barn Yard



Curious Nose

The soft light was also a good time to shoot barnyard animals. Thepigs at Mayfair Farm in Harrisville were especially entertaining. The massive adults were busy growling at each other, but the young piglets were quite friendly and curious about the camera. The nearly universal rule in portrait photography is to focus on the eyes, but in this situation, it was the nose that was the obvious focus of attention. 




Night Light

Although my daylight photography was severely limited, the nights were totally mine. As I considered my options, the two questions were, where is the milky way and what can I put in front of it. The answers were easy. I used the SkySafari program to discover that the Milky Way would be prominent in the southern sky late in the night and the only appropriate foreground I could imagine was the majestic silos at Sawyer Farm. After warning the Sawyers that I would be camped out in their pasture late into  the night, I happily killed some time with ice cream at Kimball Farm. I settled into the Sawyer's back
Standing Stones
pasture at about 10 PM for more than two hours shooting the deep sky as it moved behind the silos. The process was complicated by the presence of the bright first quarter moon that didn't set until midnight, but it did add some illumination to the foreground.  The time fled by as I kept looking for different angles and perspectives.  When you have made the committment to be out there you don't want to miss a single shot.  It wasn't until about 2AM that I finally got home and to bed. Despite the fact that I had to get up for work at six, it was definitely worth the yawning to bag the prize I was hoping for.



 















During the paintout the sad moment always comes when you realize that you have to stop shooting and try to get some of the pictures processed, matted and framed for the Friday evening show. There is never enough time to shoot and process everything, but I found some great spots and I will most definitely be returning to these farms in the future 

The "wet" show was in the Common House at the lovely Nubanusit Farm and Neighborhood in Peterborough. Yup, just in case there was any confusion about the status of photography, they called it a "wet" show. As usual, I was the only photographer, but it is always fascinating to see how this talented group of artists interpreted the rich settings that were offered. I really don't understand why more photographers don't take advantage of these great shooting opportunities. 





On the way home from the show, it suddenly occurred to me; DAMN, I totally forgot about infrared! I did straight color images, B&W, HDR, blended tone mapping, Macro, focus stacking, star fields and pink noses, but I forgot that the luxurious green foliage of this time of year is perfect for infrared. I hope I didn't break any rules, but on Sunday I cruised by George and Mary Iselin's farm in Marlborough and grabbed some IR to complete the set. 





By Friday night I felt like this guy from Mayfair Farm, but I'll recover and will be excited to hear about next year's theme. To see more images from this year's Paintout, check out my website collection.





Nap Time, I know how he feels.
 

Jeffrey Newcomer
Partridgebrookreflections.com