Showing posts with label infrared. Show all posts
Showing posts with label infrared. Show all posts

Sunday, March 2, 2014

Seeing the Unseen


This week I would like to celebrate the amazing capability of modern photography to help us to see the unseen.  My goal is only to touch on what is possible and to provide links to more detailed explorations.

From its invention, photography has been a medium that was prized for its ability to capture what we see in flawless detail, freezing more of "reality" than could ever be absorbed by our limited visual perceptions.  Without special forethought, my photography has tended toward images that celebrate the beautiful detail of the natural world.  I have tried to use the remarkable powers of digital photography and editing to place viewers in locations as I have seen them, working to display the mood as well as the reality of the remarkable world around us.  But photography has always provided a means to see things beyond our normal perceptual capacity, that are not accessible to the naked eye (THERE, I got the word "naked" into the article - TWICE!  Watch my hits soar!). 


Anyway, In the beginning photography captured "Reality" in its own way based on its technical limitations.  It has always had the
remarkable ability to freeze time, not only for moments but for centuries.  As initially a black and white medium, photography washed the color from the world and forced a new focus on light and pattern that had always been hidden under a gaudy chromatic layer in our perception.  Photography has expanded and altered our vision in many other ways and, digital photography, although not required for many of these advances, has made them more easily accessible and pushed opened the door to these unseen new worlds.  I have discussed many of these techniques in much greater detail in previous articles, but here is a brief list of some of the ways that photography can open our eyes to a new worlds.  Let the journey begin.  




Infrared
Infrared photography is perhaps the best example of seeing the
unseen.  Infrared is the portion of the electromagnetic spectrum beyond deep red.  Although these longer wave lengths are beyond the ability of our eyes to detect, infrared photographs have been captured since the early 1900's.  Today a digital camera can be modified to respond to the infrared making it much easier to capture this invisible world.  The infrared spectrum shows foliage in brilliant light, making summer scenes appear like winter landscapes.  It cuts through haze and reveals puffy clouds in stark contrast against inky black skies.  With infrared photography it is often possible to capture powerful images on days when the light is too flat and dull for strong conventional images.  I found it well worth the expense to modify my old Canon 20D doorstop to become my IR camera.
For More Information:
 Infrared, Seeing Photography in a Different Light


HDR

High dynamic range photography can be used to overcome the 
Improving Dynamic Range
limitations of film and digital sensors in recording the full range of light and dark apparent to our eyes.  In this sense it actually improves the ability to capture what we can already perceive, but HDR and its evil twin, tone mapping, has the seemingly unbounded artistic capability to mutate reality, 
turning a mirror on the artists mood and
fancy rather than the reality of the moment.  I love HDR because it provides such an unlimited opportunity for self-expression.  I generally use these tools to render images that better reflect the dynamic range that was apparent in the field, but occasionally it is fun to go crazy, jump through the looking glass,  and produce something that truly would never be apparent to the eye.



Going Crazy

For More Information:
HDR: Bon Appetitt
Taming the HDR Beast



Stop Motion:

Stopping motion requires fast shutter speeds that the high ISO
capability of new digital cameras has made more practical.  I remember, from the ancient past, when loading the camera with  ASA 400 film was a considered reckless, trading speed for the assumed damage to image quality.  Based on the lighting, I can now easily dial up the ISO to whatever is required, to allow a shutter speed fast enough to freeze the action or capture images in inky darkness..  The combination of the improved low light sensitivity of new digital sensors and the capability of software noise reduction algorithms has made it possible to maintain acceptable image quality at ridiculously high ISO levels.
For More Information:

 Accidental Bird Photography
Great Blue Heron on Harvey Pond


Long Exposure;

Long exposures have always been a capability of photography.  In 
Crowded Portland Street
fact in the early days it was a requirement. Daguerreotype portraits required an exposure of 2 or more seconds. Today long exposures can accomplish a long list of magical effects.  An exposure of a even a second or less can transform a roaring chaotic stream into a soft dream-like confection, looking nothing like the original scene, but providing a sense of frozen movement.  Long exposures of a busy street can remove all the distractions of moving cars and annoying people,  magically focusing on the stationary scene.  Star tract images of the night sky transforms individual stars from points of light into majestic arcs rotating around the north star. All of these technique are made much simpler by the ability, in the digital camera, to immediately review the results and adjust exposures accordingly

For More Information:
Photographing the Magic of Velvet Water
Long Exposure Crowd Control
Star Track Photography


Deep Space:

While we are talking about night sky images, I think one of the
most impressive ways that digital cameras have altered our sense of nighttime wonder has come from the ability that long exposures and high ISO have to extend our vision into deep space. ISOs ranging from 1600 to 6400 and exposures of 20-30 seconds brings a dense sea of stars into view that are invisible to our eyes even on the darkest night.  Beyond doubt,  the celebrity of this celestial show is our own galaxy, the Milky Way.  The most impressive images usually show the Milky Way's brilliant band in some appropriately interesting setting, and there are now many programs and Apps that can tell us precisely when, and where to stand to place a lighthouse, a tree or a silo in front of the show.  I live in the country and I often get a clear view of the sky, but even here the digital camera easily converts a subtle smug into a breathtaking view of our galactic disc.
For More Information
Night Time Photography, Searching for the Milky Way
Photographing Comet PanSTARRS


Time Lapse
Time lapse photography compresses time allowing us to see in a few seconds what occurred over hours.  All that is necessary is a sturdy tripod, an intervalometer to time the exposures and software to assemble the hundreds of images into a video.  For quick and simple time lapse videos I have used Quick Time, but many other options exist. I'm still a novice, but I have enjoyed creating videos of the setting sun, billowing clouds,  or stars moving majestically across the sky.  I even have one of Susan and I decorating the Christmas tree. 


Monadnock Sunset



 

Tree Trimming


For More Information
Time Lapse Time


Focus Stacking
It may seem that the use of focus stacking to achieve a deep depth of field only replicates what our eyes can capture, but in fact eyes
have the same focusing  limitations as any lens and iris system.  The only reason that we feel we can see everything from near to far in sharp focus is that our eyes are constantly and subconsciously adjusting focus as we move our attention around the scene.  A photograph with sharp focus throughout is actually a representation of the world beyond the capability of our vision, but it does match the dynamic nature of our perception.
For More Information:
Focus I
Focus II
Hand-Held Focus Stacking



Of course there are more ways that digital photography allows us to see the unseen. Editing software can alter our vision and a world without a tangle of wires in front of every beautiful scene is a priceless gift of Photoshop. It has been thrilling to explore some of the photographic options available, but It is also humbling to realize all that I need to learn.  But then again the endless opportunities to learn are what make photography endlessly exciting.

Jeffrey Newcomer
Partridgebrookreflections.com

Sunday, August 18, 2013

New England Farm Photography





 Pixels at the Sharon Arts Center "Paintout"

This week you must pardon any spelling or grammatical errors as I am just recovering from the 8th Annual Sharon Arts Center Paintout. Every year the arts center sponsors a week-long event during which artists are invited to practice their art with a specific theme. This year the theme was "Farms". The center identified ten farms in our region who were willing to permit painters to wander
Pasture Shade, Sawyer Farm
their property in search of the perfect scene. The event ran from Monday through Friday with a reception and show for the work on Friday evening. Some years ago I convinced the folks at Sharon Arts that the Paintout should encompass pixels as well as paint and since then I have shown up as the poor relation at the receptions. Painters generally only tolerate photographers, but I have enjoyed the opportunity to discover some new locations, often getting into areas that I would otherwise be unable to explore. 

The paintout week is always exhausting. The challenge is to find time to get out shooting. As usual, I was completely at the mercy of the weather, but in this case, if the light was bad, I generally did not have another chance. This last week I was working on Monday, Wednesday, and Thursday. My only full day available for shooting was Tuesday and on Tuesday it rained in torrents almost the entire day. Rain isn’t always bad but it does limit photographic opportunities. As usual I tried to make the most of the time and light that I could capture. When I could find time, I shot until the last light and beyond and then spent the evenings processing the images. I spent all of Friday printing, matting and framing my favorite images. I can't really complain. I love challenges like this and, as always, it was a great opportunity to discover number of new locations and to make some new contacts. 



Let’s face it; the concept of photographing farms is not exactly new to me, so I decided to apply my own theme to this effort. My plan was to try to apply as many different styles and techniques of photography as I could, given the constraints of time and the subjects available.

Shooting Straight
With so much amazing and varied farm land I didn't have to go crazy with technique to capture classically beautiful images. The pastures, farm buildings, animals and, of course Mount Monadnock
frequently looming in the background all made for great opportunities. All I needed was the light and some gentle massaging in Photoshop to bring out the best in the scenes. The twilight picture of silos with Monadnock in the background, was taken from across the pasture with a long lens to compress the scene. Using masking, I was able to adjust the bright sky to retain detail in the foreground. In a number of images Iused blended tone mapping, a new favorite technique, to add a subtle increase in definition. For me


Blended Tone mapped Layer
these techniques are standard approaches which allow me to present the scenes as I saw it. Nothing special, but my goal for this week was to use different techniques and like the proverbial man with a hammer, everything quickly began looking like nails and I couldn't hold back.

 














HDR / Tone Mapping
Without a doubt, my favorite farm on the Arts Center list was the 
Sawyer Farm in Jaffrey. The place is a classic with an old farm house and a cluster of three majestic silos all surrounded by acres of beautiful rolling pastures. It also helped that the owners are incredibly friendly. On Monday I got out of work a bit early and headed straight to Sawyer. The light was still bright, so I decided to explore the barns. The inside of the cow barn was dark with brilliant light coming through the windows. A great situation for HDR. I grabbed seven bracketed images and later went to Photomatix. Since my goal was to break away from my usual approaches I decided to go full grunge and ended up with a slightly cartoonish rendition that I


Gentler HDR, Sun/Moon Farm
loved but which was far outside my usual style. As I have said many times, HDR and Tone Mapping are all a matter of taste. It was tasty to try a different cuisine and, after all, the last time I went crazy with HDR I ended up selling the image for the logo of a national brand of doggie treats. Later when I was shooting at the Sun/Moon Farm in Rindge. I came back to earth. I used HDR to produce a more natural appearing image combining the bright pasture with the shadows of the barn interior. 












Black & White

Black and white layers can effectively isolate and highlight an area of color within an image. The barn at the Sun/Moon Farm was
Black & White Layer
filled with bunches off drying garlic. The challenge was to draw the eye to a small grouping of bulbs without loosing the sense of rows of stalks filling the barn. In addition to selective focus, I also blended a black and white layer to de-emphasize the background elements. One of my favorite images from the week was farrier George Iselin's remarkable hands as he shoed one of his Mary's horses. George was remarkably patient as I crawled on the ground to shoot under the horse. I loved the color image, but thought the power of his hands might come through stronger in black and white. With black and white, I was able to enhance the exposure and contrast without concern about the impact on the color rendition. Both approaches have their attractions, but I think I prefer the B&W. 




Farrier's Touch





























Macro
Farms are filled with opportunities for macro photography. In particular the flowers at Rosaly's Garden were great subjects. I went to Rosaly's on Tuesday knowing
that the soft overcast light would work well. There was enough light to ignite the colors of a glowing sunflower. I also employed focus stacking to get better depth on a pink flower. The only challenge was keeping the equipment dry in the steady rain.

 




 






Four Image Focus Stack






 In the Barn Yard



Curious Nose

The soft light was also a good time to shoot barnyard animals. Thepigs at Mayfair Farm in Harrisville were especially entertaining. The massive adults were busy growling at each other, but the young piglets were quite friendly and curious about the camera. The nearly universal rule in portrait photography is to focus on the eyes, but in this situation, it was the nose that was the obvious focus of attention. 




Night Light

Although my daylight photography was severely limited, the nights were totally mine. As I considered my options, the two questions were, where is the milky way and what can I put in front of it. The answers were easy. I used the SkySafari program to discover that the Milky Way would be prominent in the southern sky late in the night and the only appropriate foreground I could imagine was the majestic silos at Sawyer Farm. After warning the Sawyers that I would be camped out in their pasture late into  the night, I happily killed some time with ice cream at Kimball Farm. I settled into the Sawyer's back
Standing Stones
pasture at about 10 PM for more than two hours shooting the deep sky as it moved behind the silos. The process was complicated by the presence of the bright first quarter moon that didn't set until midnight, but it did add some illumination to the foreground.  The time fled by as I kept looking for different angles and perspectives.  When you have made the committment to be out there you don't want to miss a single shot.  It wasn't until about 2AM that I finally got home and to bed. Despite the fact that I had to get up for work at six, it was definitely worth the yawning to bag the prize I was hoping for.



 















During the paintout the sad moment always comes when you realize that you have to stop shooting and try to get some of the pictures processed, matted and framed for the Friday evening show. There is never enough time to shoot and process everything, but I found some great spots and I will most definitely be returning to these farms in the future 

The "wet" show was in the Common House at the lovely Nubanusit Farm and Neighborhood in Peterborough. Yup, just in case there was any confusion about the status of photography, they called it a "wet" show. As usual, I was the only photographer, but it is always fascinating to see how this talented group of artists interpreted the rich settings that were offered. I really don't understand why more photographers don't take advantage of these great shooting opportunities. 





On the way home from the show, it suddenly occurred to me; DAMN, I totally forgot about infrared! I did straight color images, B&W, HDR, blended tone mapping, Macro, focus stacking, star fields and pink noses, but I forgot that the luxurious green foliage of this time of year is perfect for infrared. I hope I didn't break any rules, but on Sunday I cruised by George and Mary Iselin's farm in Marlborough and grabbed some IR to complete the set. 





By Friday night I felt like this guy from Mayfair Farm, but I'll recover and will be excited to hear about next year's theme. To see more images from this year's Paintout, check out my website collection.





Nap Time, I know how he feels.
 

Jeffrey Newcomer
Partridgebrookreflections.com



Sunday, June 30, 2013

Time-Lapse Time








What do you do when you are stuck in one place for four hours? Photography everything! 


Mountain Time-Lapse
A few weeks ago I decided to set up for a long time-lapse video. My plan was to capture the clouds moving across Mt Monadnock from late afternoon until dark. Assuming a standard 24 frames per

Ground Cover
second video, I would need 720 images to yield a 30 second time-lapse. Taking an image every 20 seconds, I had to record for 4 hours. I set up in Marlborough's Town Meeting House Park with a lovely view of the mountain. Time-lapse consumes a lot of clicks, so I routinely use my old Canon 5D to avoid wearing out the shutter on my Mark II. I set up my intervalometer to shoot every 20 seconds. Since I knew that the light would be fading, I adjusted the exposure to be bit bright. I made sure that the the camera was in manual mode, with both auto focus and auto exposure off. Variations in exposure, such as with a passing cloud, can be very distracting in the final video. I turned the monitor off to avoid excessive drain on the battery. Everything was set. I pushed the intervalometer button and stood back to watch the magic unfolding. 


Waiting for the Magic
Five minutes later, the magic was still unfolding, and I still had 3 hours and 55 minutes to go. So what do you do while you are waiting for a four hour time-lapse to be finished? Nellie and I could have just settled on the grass to enjoy the beautiful scene, but the black flies had other ideas and we quickly realized that we had to keep moving.


My workhouse 24-105 lens was stuck on time-lapse duty, but I still had my 5D mark II and lots of other lens choices. I started looking
around. The first shots were obvious. I took pictures of my camera setup and of the lovely mountain panorama. The old Meeting House is long gone from the park but the site does offer some very nice opportunities to frame Monadnock with lovely birches and old apple trees. The park is lined by a nice rough stone wall and is bordered by a classic tree lined dirt road. Great, I captured all of that and I still had 3 hours to go. 




Grab the Macro

Cemetery Cover


When you run out of ideas, you can always go someplace else or grab a different lens. I wasn't going anywhere so I grabbed my 100mm Macro and started thinking closer. There were patches of beautiful delicate spring wildflowers which were particularly nice where they contrasted with the cold gray of the stones in the adjoining old cemetery. Nellie looked a little confused as I lay in grass but as the growing dusk led the mosquitoes to chase away the black flies, I couldn't stay in one place for long.




 



As usual, Nellie was extremely patient, but I did have to alternate periods of photography with brisk walks up and down the road. Although it seemed unlikely that roving gangs of thugs might be cruising the local parks looking for unattended cameras, I still felt uncomfortable straying too far from my tripod. 


Infrared Magic

I was running out of options, but then I remembered that I still had my Infrared converted Canon 20D in the back of the car. As always, infrared opened a new set of opportunities. The spring foliage contrasted nicely with the Mountain peak and with the tree lined road. As I have discussed previously, Infrared requires a whole different way of seeing the world. 






 

Eventually the bugs got too aggressive and we retreated to the car for the last 30 or 40 minutes, but I was still able to shoot the half moon, framed by the branches, through my car's moon roof. In Infrared the inky sky contrasted nicely with the moon and surrounding foliage.


 




And Finally the Video
The four hours were up. I grabbed my equipment and headed for home. The time actually passed quicker than I expected. The time-lapse turned out ok, but I actually had more fun trying to figure out what to do with the four hours. Being tied to one spot can stimulate fresh ideas and vision. Although I could have done without the bugs. 



Windy Sunset on Mt. Monadnock


Check out the Video on YouTube


Jeffrey Newcomer
Partridgebrookreflections.com

Sunday, May 26, 2013

Lemon Aid for Photographers










 This weekend has been a workshop for bad weather photography

There should be no surprise that we are experiencing miserable weather this holiday weekend. This is New England and terrible weather is the population's curse and photographer's treat, but this weekend has been depressing even for those of us trying to keep the damp from our cameras. Fellow New England Photography Guild member Jim Block is even dealing with snow on the Lilacs. Crummy days are always good for getting caught up in the studio. With a show at Keene's Prime Roast Cafe and the Keene Art Walk all coming up next week, I have plenty to do, but I had to get out to try to see what I could do with, and in spite of, the weather.

Hubbard Brook Falls

Spring rains are always an obvious invitation to shoot our many waterfalls. In a few weeks the summer droughts will dry many of the
Hubbard Brook Falls
best cascades, so my first trip was to falling water. I was trying to decide where to go when I received a call from a photographer in Laconia New Hampshire asking about a image of the falls on Hubbard Brook in Chesterfield, New Hampshire. It is challenging to get to, and not freely open to the public, but it is a lovely spot when the water is high. The call made my decision and Nellie and I headed out. The falls on Hubbard Brook are actually a series of cascades and higher drops. The hike into the ravine involved bushwhacking down steep embankments, made trickier by the soaked ground, but as usual it was worth the terror. As I worked my way down along the brook, two things occurred to me. First the cold weather had swept the black flies from the forest. Second, if slipped, Nellie would be of no practical value in getting help, and I had no cell reception in the depths of the ravine. Through much care and considerable butt bouncing I made it down and out alive.


Sound of Thunder

The light was gone, but I still had one more capture to make. The night was fractured by a series of dramatic thunderstorms and I was able to record about 40 minutes of the action on my Zoom H2n field recorder. I have started to collect natural sounds as background for my slide shows. Check out the pasture melodies on my web site front page and the thunder storm on my Summer slide show. 

To the Dump

On Saturday I was able to excite Nellie with one of the few phrases she actually understands, "Want to go to Dump?" Dump, Walk and
Pasture Corner, Roads End Farm
Dinner, that's about it. The weather remained cold damp and blustery, but we still made our regular circle through Roads End Farm. The horses were way off in the back pasture, but the rain had freshened the spring leaves along the fields. By afternoon I had to get out of the house and went into Keene to plant myself with a cup of coffee at Brewbackers Cafe. Brewbackers is usually bustling, but for some reason I find it the perfect place to write. I settle in with my iPad and my own music selection and can usually get more done in an hour than in an afternoon with the distractions at home. 



Infrared in the Rain

Central Square Gazebo
 

 
As the afternoon progress the sky grew darker, but I had a plan and I had my Infrared camera. The great thing about infrared photography is that the images are not much affected by extremes of weather. Bright, impossibly contrasty, midday light ignites the infrared spectrum. The leaves shine and the sky stays black as ink. At the other end, dull flat light still comes through with good contrast between bright foliage and dark trunks and structures. I ended up spending time shooting around Keene's iconic Central Square. I have photographed the square countless time before, but Infrared provides a whole new perspective. 


Ladies Wildwood

Wildwood Depths
I was loosing light but there was one other place that I thought might do well with the soft light. Ladies Wildwood Park is a surprising treasure in the middle of Keene. In 1890 the park was created to protect a stately grove of trees from development. The original grove was leveled in the 1938 Hurricane, but it has been replace by ranks of tall White and Red Pines.
Infrared Park
The park is small but in the right spots you can feel enveloped by the forest. The challenged is to find the angles to look through the pines without catching glimpses of the surrounding houses and roads. The flat light was great to capture the brooding mood of the pines on a carpet of nearly iridescent green. Infrared also worked well, contrasting the bright ground cover with the towering dark pillars. Light gone. Time to go home. 








Remembering 

Today Nellie and I visited the flag bedecked Spofford Cemetery. Nellie wandered respectfully among the stones and then honored the fallen by doing her business off in the woods. I grabbed a couple of flower images in the soft light, but then disaster struck. The sun actually broke through.

 




Disappointing. Nothing to do but go home, edit images and write this article. My only consolation is that, this is New England, and the good weather can't last forever.

Jeffrey Newcomer
Partridgebrookreflections.com

Sunday, April 21, 2013

Do Something New With Your Photography



One of the great things about photography is that there are so many different ways to do it.  It is certainly another stick season. The snow is gone, the buds are just greening up, and the anemic winter run-off has left many of my favorite waterfalls uninspiring. What to shoot? One can only lay in bed shooting pictures of your feet for so long. So why not try something new?

 I have always concentrated on landscapes, but every so often, and



Comet PanSTARRS
especially this time of year, I get bored of trees and rocks and start looking for something else to shoot. This spring I was distracted by chasing the Comet PanSTARR and that got me interested again in star field photography. On several occasions, I even dragged myself out of bed at 3AM, in an attempt to catch the Milky Way. I am not a birder, but I have been watching the nest on the Connecticut River, hoping that the eagle pair will settle in to raise a family. I have probably jinxed my chances by getting a tele-Extender.

The variety of photography is almost endless. If you are in a bit of a “Stick Season Slump”, consider something from my brief list of possibilities. Some of these only require a shift in focus, while others may benefit from special equipment. I always like an excuse to get new gear, but they all provide an opportunity to learn new stuff.
What follows are random incomplete reflections about only a few of the many ways to get a fresh perspective on your photography. Fortunately, all the information you need is just a Google search away.  Fair warning, I have tried all of these modes of photography, but I must admit that I am expert in none. That's what makes them exciting.

Get Out of Your Comfort Zone

We do tend to get into ruts. I keep my trusty 24-105 lens on my camera far too much. Just pulling something else from my bag, whether it is a wide angle, macro or my fast 50mm portrait lens, can be refreshing. Also try changes in perspective. Crawl on the ground or get up high. Of course a more expensive way to leave your comfort zone is to take a trip, but it doesn’t have to break the bank. I've enjoyed recent travel out West and along the  Danube River, but for me,  a trip to the Maine Coast is always refreshing.


 



Teton Sunset






Star Photography
I have recently returned to star photography. I have played with star



Mt Monadnock Trails
trails
and time-lapse video, but recently I have been working on star field shots, especially looking to capture the Milky Way. However it is done, star photography reveals views of the night sky that are impossible to appreciate with the naked eye and stimulates a magnificent sense of perspective on our place in the universe. Key equipment includes a camera with low noise/high ISO capability, a wide angle lens, a solid tripod and, if you plan to do time-lapse, an intervalometer. Oh and don’t forget a reliable alarm clock to rouse you at ungodly hours.



Star Track Photography
Searching for the Milky Way



Time lapse
 

Time-lapse photography is another technique that reveals what our eye cannot see. The changing patterns of nature or frenetic human activity can be compressed into short intervals that distill the action, making subtle patterns clear.  All you need to make time-lapse videos is an intervalometer to time the shutter releases and software to assemble the images into a movie. Of course as with almost everything here a sturdy tripod is a must. One other point. Time-lapse videos take hundred of images. At the standard 24 frames per second, a 30 second video will require 720 images. Because I get concerned about wearing out the shutter in my primary camera, I have dedicated my old Canon 5d to time-lapse service.

Trimming the Tree (YouTube:First Try at Time-lapse: Sorry)



Video

 

The ability to capture high quality video from your digital camera is a great new feature, but I can testify that video requires an entirely different skill set than conventional still photography. Although DSLR cameras can record high definition video they have limitations compared to a dedicated video cameras. Most notably, continuous focus is difficult to control smoothly, but also DSLR are not equipped to record quality sound. Over the last year I have been contributing video to the upcoming Mt Monadnock documentary, but given the limitations of my Canon 5d Mark II my video clips have been primarily set clips for background images (B Roll: As above). You can
spend a lot of money to supplement the video capabilities of your DSLR. Basic equipment includes a tripod, preferably with a fluid head for smooth panning and a follow focusing attachment. One of the most important elements of good video is good sound. A quality external microphone and recording device are key. I use a Rode microphone attached to a Zoom H4n field recorder. Of course, when you are finished, there are many options for video editing. There is a lot to learn to get decent video, but that's the fun.





Wildlife

If, like me, you are primarily a landscape photographer, an exploration of wildlife photography can be a great new challenge. I have great respect for the patience and dedication of those who get amazing wildlife shots by siting out in the cold for hours. As for me, I like my wildlife stationary and predictable and close to my car. In the spring, the birds keep close watch on their nests and that is a great time for me. Sadly my favorite Blue Heron nest on Harris Pond in
Westmoreland, NH is gone this spring, but I am watching an eagle nest on the Connecticut River. I'm hoping that they will settle in to raise a family. A long lens is the primary requirement of wildlife. I found that my 400mm isn't quite long enough to capture detailed images of the eagles from across the river. I will try to sneak closer once they are settled, but I don't want to disturb them at this critical time. I also got a 2x Tele-Extender, but will need good light to off-set the two stops I loose with the extra reach. Of course wildlife may also be as close as your couch. I hear that a few people on the web like pictures of cats and dogs. 





 

Get in Close
Macro photography opens an entire new world of opportunities both in the natural world and at home. I love studying the detail of flowers and that is often done best in protected environments, such as at a greenhouses or at home. My annual pilgrimage to the beautiful greenhouses at the Walker Farm, In Dummerston, Vermont has become a seasonal tradition. This time of year 
the early spring flowers are a welcome source of material as well. The greatest challenge of macros is the management of the often painfully shallow depth of field. Stopping down on the aperture and using a tripod can help, but focus stacking in photoshop or other programs can make a big difference. Equipment for macro photography can range from cheap to prohibitively expensive. Extension tubes can be effective and cost almost nothing, but, I have to admit that since I sacrificed for a wonderfully sharp macro lens I haven't gone back to the tubes.





Infrared
Infrared photography provides a fresh look by recording an otherwise 
invisible portion of the electromagnetic spectrum. Glowing foliage and inky dark skys can breath new life into dull flat scenery. Shooting in infrared is best with luxuriant foliage, so winter and early spring are not the best seasons. With many digital cameras infrared can be shot with dense, nearly impenetrably dark filters, but images usually need to be framed and focused before the filters are adding and the long exposures make a tripod a necessity. Happily a much more elegant solution is available. Your lonely, old camera can be modified to shoot infrared. I did this with my old Canon 20D and turned a dusty doorstop into a gateway to a whole new way of seeing. I've found that on days when the light is hopeless, I can still get some interesting shots by harvesting among the longer wavelength. 


Infrared, Seeing Photography in a Different Light 


My list goes on, but I think this is a good place to stop my ramblings. I will leave other options like street photography and portraiture for you to explore on your own. My intention here is only to get you thinking about fresh approaches for your photography.  So the next time you find yourself moaning about having nothing to shoot, apply a quick dope slap and get out to try something new.